5 SIMPLE TECHNIQUES FOR CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are often craving romantics, with this particular difference: Buster appears to be a plausible mate, and the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been made in a more liberated time, it can be done to assume Keaton in bed with a girl, but disquieting to think of the Tramp to be a sexual currently be